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Howard Thomas

b. March 1899 in Mount Pleasant, Ohio; d. 1971

Quaker-born in Ohio, Thomas trained in the Midwest at Ohio State University and the Chicago Art Institute.  He taught in the Art Department of the Milwaukee State Teachers College (now University of Wisconsin-Milwaukee) where he became good friends with Carl Holty, Edward Boerner, Robert von Neumann and Gustave Moeller. Thomas was a painter of the American scene from the beginning of his career to the mid 1940s.  He had been investigating cubism during the mid-to-late 1930s.  Thomas made his first trip to the South for a speaking engagement in 1941 and the red earth around Asheville, North Carolina interested him.  Thus began his use of earth as a pigment source.  In the tradition of old masters, he used mortar and pestle to mix his pigments.  Thomas sought natural materials from wherever he traveled around the world and kept a concise diary with painting codes of the gritty earth pigments and dense earth colors for his paintings. After 1942, Thomas worked permanently in the South.  He was an enthusiastic teacher at the University of Georgia where he arranged for Carl Holty, an authority on modern painting, to become artist-in-residence. The “transformation” in Thomas’ painting was the result of interaction with Holty.  His progression from regionalist imagery of the 1930s to abstract imagery of the 1950s was done with great deliberation.  Thomas gradually eliminated the ideas of foreground and background. Thomas consistently used music as an impetus for his painting.  He placed the surface to be painted on the floor and worked with sweeping rhythmic movements to Bach, Vivaldi or Haydn.Although Thomas painted in the South after 1942, his Milwaukee association had shaped the most important concepts of his intellectual and artistic maturation, especially his exceptional visual memory. He was also a member of the Wisconsin Painters & Sculptors.

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Howard Thomas

Diminuendo, 1961

Goauche on paper

13 x 19.25 inches

22.25 x 28 inches framed

Gift of CGR Advisors

Accession # 2001.190

Founding Collection

   

Howard Thomas

One Way Street, 1949

Oil on board

19.5 x 23.625 inches

26 x 29.625 inches framed

Gift of CGR Advisors

Accession # 2001.191

Founding Collection

   

Howard Thomas

Railroad Crossing, 1946

Oil on board

15.375 x 19.25 inches

25.75 x 29.75 inches framed

Gift of CGR Advisors

Accession # 2001.192

Founding Collection

   
NO IMAGE AVAILABLE

Howard Thomas

Valley Houses, ca. 1950

Serigraph

16 x 23 inches

Gift of Mary C.

Nikas Beery

Accession # 2008.034

   

Howard Thomas

Reidsville, 1943

Oil on canvas

30 x 40.25 inches

Transferred from High Museum of Art through prior Southeastern Annual Exhibition Purchase Award

Accession # 2010.036

   
NO IMAGE AVAILABLE

Howard Thomas

White house

and chickens, 1946

Gouache on paper

15.75 x 21.5 inches

Transferred from High Museum of Art through prior Southeastern Annual Exhibition Purchase Award

Accession # 2010.037

   

Howard Thomas

Get with Red, 1962

Lacquer on masonite

36.25 x 48.5 inches

Transferred from High Museum of Art through prior purchase

Accession # 2010.037

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